Thursday, August 11, 2016

Arts Express: War Dogs, Paul Robeson, Langston Hughes 'The Weary Blues,' Female Uprising In India

                Parched: Oppressed Indian Women Rising Up

**Guy Lawson Talks War Dogs: Rolling Stones journalist, upon whose investigative report this political satire starring Jonah Hill as the real life US military gun runner is based, sheds light in this conversation on how weaponry feeds the military industrial complex, as depicted in this scathing dramatic feature. And actually a second war in progress - the apparently legal arms dealer bidding war online. Lawson's original report adapted to the big screen, is titled: 'The Stoner Arms Dealers: How Two American Kids Became Big-Time Weapons Traders - And How The Pentagon Later Turned On Them.'

**Call Mr. Robeson: A Life With Songs.
UK African-British actor and performer Tayo Aluko phones in from Vancouver to the Arts Express Theater Corner, to describe the worldwide tour on stage of his passionate and illuminating labor of love solo show dedicated to the life, legacy, political persecution and art of the late persecuted actor and activist Paul Robeson. And which is scheduled to return for theatrical performances here in the US in September.


**Parched: Filmmaker Leena Yadav is on the line from India to talk about her latest movie, a dramatic feature focusing on the troubled but resilient lives of oppressed rural women there, as systemic victims of violence. And both based on and dedicated to those women who endure that horror and shared their stories.

**Poetry Corner: The vintage jazz poetry of Langston Hughes.
The late African American poet reads 'The Weary Blues' in 1925, with jazz accompaniment from the Doug Parker Band. The Arts Express Best Of The Net Hotspot this week.

Arts Express: Airing on WBAI Radio in NY and the Pacifica National Radio Network and Affiliate Stations.

Wednesday, August 3, 2016

Arts Express: Australian New Wave Director Gillian Armstrong Talks Women He's Undressed

Bro On the 'Game Of Thrones 2016' US Presidential Election; Filmmaker Andrew Morgan Talks Toxic Global Garment Industry Oppression, Commercial Advertising Propaganda In Collusion, And 'Poverty Is Not An Accident'; Australian Director Gillian Armstrong On Her Designer Orry-Kelly Doc 'Women He's Undressed,' And Something To Do With Kathryn Hepburn, Busby Berkeley And Betty Davis Bras, Not Eyes,

**Andrew Morgan Talks The True Cost: 'Poverty Is Not An Accident.' The filmmaker is on the line to Arts Express from London to talk about the greed, power, poverty and fear surrounding the global fashion industry, that is exposed in his documentary. The LA based director delves into what deeply disturbed him about the clothing manufacturing multinationals, that led him to embark on an investigation traveling the globe to uncover the massive criminal evidence targeting those exploited and victimized garment workers everywhere, making clothes for the world. Morgan also considers what is to be done, along with scrutinizing how the toxic effects of commercial propaganda known as advertising, factor in. Out on DVD.


**Bro On The Euro-Cultural Beat: Arts Express Paris Correspondent Professor Dennis Broe's outsider analysis of the US presidential race, '2016's Game Of Thrones.' Probing one of the most bizarre election periods in US history, where 'each is not the other, and the other is unthinkable.'
Broe also presents on location updates on the current mass uprising protests across France, verging on revolution.

**Women He's Undressed: Australian New Wave director Gillian Armstrong [My Brilliant Career] phones in from Toronto to delve into her multimedia documentary biopic out on DVD, about the late distinguished Hollywood costume designer, Orry-Kelly. And the many screen actresses he dressed through the years, including Kathryn Hepburn, Ava Gardner, Betty Grable, Ingrid Bergman, Marilyn Monroe, and the women of the Busby Berkeley chorus lines. And something having to do, not with Bette Davis eyes, but rather Bette Davis bras.
Arts Express: Airing on WBAI Radio in NY and the Pacifica National Radio Network and Affiliate Stations.

Thursday, July 28, 2016

Arts Express: Tony Danza Talks Standards & Stories, Taxi, Tupac Shakur Friendship; Baton Rouge Radio: Sister Station Conversation; Triumph Of The Hill

        Clinton's Leni Riefenstahl Moment: Triumph Of The Hill

**Hillary's America: The Secret History Of The Democratic Party. Right wing filmmaker Dinesh D'Souza plummets the disturbing dark side, duplicitous depths of the Democrats and Hillary. But in his bid to promote the Republicans as a presidential election alternative, his documentary may ironically send audiences in droves left, to Jill Stein's Green Party instead. A Commentary.

**Tony Danza Talks Standards & Stories. The veteran star of the small screen classic Taxi, phone in to Arts Express to describe his latest on stage unique fusion of storytelling, music and song. Along with sharing memories of his special friendship with the late rapper legend Tupac Shakur when Tupac was behind bars. Also, how Danza's blue collar roots as the son of a garbage collector, has informed the genuinely conceived workingclass characters he's portrayed.


**Sister Station Conversations: Our continuing series featuring affiliate stations airing Arts Express. This week, Arts Scouts on WHYR-FM, Baton Rouge Community Radio, presents a segment examining the legacy of racism and brutality traced back through the horrific history of slavery in Louisiana. The episode is The Art Of Understanding. From plantations to mass incarcerations, personified in particular at the former slave plantation that is Angola Prison, and a difficult history resurrected today in museums and historic sites there.

Pete's Dragon

Adapted from the 1977 Disney original - or rather re-imagined from a musical into a lost and found kid in the woods adventure, Pete's Dragon has moved away from full blown fantasy mode into a somewhat parallel universe of hallucination and reality. But with the curious effect that neither dominates nor effectively intertwines.

Oakes Fegley is the Pete in question, a child abruptly orphaned when his parents die in a car crash while the family is driving in the wilderness on vacation. A terrified Pete finds himself quite alone and threatened by animals roaming the forest, but an enormous dragon living there saves and protects the boy. Some years later, Pete is now a wild child inhabiting the woodland. That is, until a forest ranger (Bryce Dallas Howard) discovers him hiding there.

And following a pursuit of the frightened boy clearly terrified of humans, she brings him home for some maternal domestication. Which happens to include Robert Redford as the presiding patriarch of the household, who is somewhat nearly as much into a belief in the existence of supernatural beings as the boy is.

Meanwhile several subplots ensue, including the lonely dragon pining for his disappeared pal, and a gang of suspect lumberjacks with malice on their minds regarding intent to corner and capture the dragon - for what purpose is never made quite clear. At the same time, the forest is alarmingly being decimated of its trees, though the oversized creature bears some of the blame along with the loggers.

Pete's Dragon seems a bit off the beaten path, narratively as well as visually, with an alternately dark and daffy story seemingly having lost its way in lagging behind assorted loose ends that could use some tying up. Along with subplots concerning loss, grief, imaginary friends and environmental consciousness for kids that never materialize enough for this predominantly somber tall tale, to latch on to a clearing out of these woods. Not to mention a little Paul Bunyan pick-me-up that would have been in order, to lighten up this solemn when not magical yarn.

Prairie Miller

Arts Express: Airing on WBAI Radio in NY and the Pacifica National Radio Network and Affiliate Stations.

Thursday, July 21, 2016

Arts Express: Matthew Modine, Bro On The Euro-Cultural Beat, And French Bosses Telling Laid Off Suicidal Workers To 'Leave By The Door Or The Window.'


**Matthew Modine Talks Stranger Things: While referencing Kubrick, Altman, Ferrara, Oliver Stone, and what those iconic filmmakers taught him about creative inspiration while starring in their movies; filming about Occupy Movement; Hitchcock, the pyramids, his father's drive-in theater, Hitler's bunker in Berlin; terror on screen and in the real world, and sci-fi government oppression on the small screen in Stranger Things.


**Bro On The Euro-Cultural Beat: Arts Express Paris Correspondent Professor Dennis Broe presenting unfiltered global news with a cultural perspective. And connecting Nice, Syria, financial fraud and Icelandic bankers; mass protests in the streets across France, multinational tax shelters infamously known as Treasure Islands; French workers bullied in the workplace by disembodied robotic voices known as The Talkman, and labor layoffs and suicides with bosses declaring that workers leave 'one way or another - either by the door or by the window.'

**Outlaws And Angels: A Conversation With Francis Fisher. The actress is on the line from LA discussing revisionist, anti-mythologized westerns; starring alongside daughter Francesca Eastwood who plays an enigmatic frontier rebel in the movie; what violent westerns are saying about the society we find ourselves in today; and what's up with massive disappeared California ballots and the strange presidential election currently in progress. 

Arts Express: Airing on WBAI Radio in NY and the Pacifica National Radio Network and Affiliate Stations.

Saturday, June 25, 2016

Free State Of Jones: Buried US History Of Righteous Rural Guerrilla Warfare Reignites On Screen

        Women In Black: Female Action Hero Women Warriors

As foreign and alien a concept as mass uprising and guerilla warfare have been made to appear in official US history - and more recently by its ideological accomplice, the corporate media - a fiery history of such events has existed, however buried but defiantly bubbling beneath the surface. And films, whether documentary or docudrama, have increasingly emerged to bring to life the truth, courage, sacrifices and indeed inspiration of that suppressed past.

And which could not be more vividly and defiantly portrayed at the moment, in the historical drama, Free State Of Jones - a breathlessly captivating chronicle of no less than a guerrilla warfare peasant uprising revolutionary movement in this country back during the Civil War. And yet a film that very possibly could have only been made at the historical moment in time. As seemingly ignited by the Occupy Movement, Black Lives Matter, and the current mass momentum of youth in economic crisis today fueling the newly emerging rebel anti-establishment political impulses shaking up the presidential election period right now - and immune to the enduring post-McCarthyite state terrorism propaganda that previous generations have been steeped in.

The film is directed by Gary Ross (The Hunger Games), son of the late Red Scare blacklisted Hollywood screenwriter Arthur Ross - best known for the Oscar-nominated Brubaker and as co-writer of The Creature From The Black Lagoon. Free State Of Jones resurrects the deliberately deleted history of a rural Mississippi insurrectionary uprising in the South during the Civil War, and led by farmer and Confederate Army deserter, Newt Knight - in a mesmerizing gritty, humble and courageously stoic performance by Matthew McConaughey. And Knight became increasingly horrified and disgusted not only by the senseless and massive slaughter of the war - with over 600,000 deaths, second only to the Vietnam loss of US lives - and in terms of the US population today what would have represented seven million deaths on the battlefield. Along with thirty percent of the Southern white male population wiped out in that war, most of them poor farmers - while plantation slaveholders were declared exempt from the draft.

At the same time as depicted in the film, was the naked brutality of the Confederate Army, seizing the crops, livestock and possessions of terrorized farmers for war supplies - and their male offspring to serve as child soldiers  - consigning the population to virtual starvation. Which leads Knight to amass a fierce and fiery, salt of the earth rural revolutionary guerrilla army staked out in the swamps, with escaped slaves and women warriors as well battling the army and plantation owners alike.

And these swamp guerrillas inspired, not just as anti-war or abolitionist, but in class struggle shaped by a collective consciousness conveyed through Knight's words and ideas - encapsulated as rebellion against a 'rich man's war,' seizing the socialist notion  - along with the confiscated crops of their labor in the fields - that "what you put in the ground nobody can take from you. It's as simple as that.' - and, "we say no man stay poor so another be rich." While the Union Army apparently opportunistically welcomed but later betrayed this Southern insurrection and mobilization of that Free State Of Jones County territory which Newt established.

And if there are insights to be gleaned from this short lived but heroic chapter in US history today, it's not just intimations of Democratic party vote rigging today that ensued during the repressive death squad Klan emergence following the war. But the US government as well, turning against them after exploiting them against the Confederacy during the war - evidently to extinguish a new and dangerous radical notion of social and economic equality sabotaging an emerging capitalism - ideas that just might spread North. As reported by Knight to his disheartened, now men without a country betrayed followers, "It seems we ain't got no country - only inside. So we'll be our own country."

Not that these ideas and impulses were anything new on the world stage. Witness the valiant uprising of that Paris Commune during that same period. And several decades earlier, two young men in their twenties collaborating on a pamphlet that would endure and inflame the masses everywhere, declaring - 'Workers of the World, Unite. You have nothing to lose but your chains!' And those words of Marx and Engels back then, that still today reignite against capitalism - whether in the streets of Paris or on the screen with Free State Of Jones right now.

Arts Express: Thursdays 2pm ET: Airing on WBAI Radio in NY 99.5 FM, and streaming live and archived everywhere at

Prairie Miller

Thursday, June 2, 2016

Arts Express: Domenica Scorsese Talks Almost Paris - And Taking The Economy Personally

**Like Father, Not Like Daughter: A Conversation With Actress Turned Director Domenica Scorsese. The offspring of Martin Scorsese takes the economy personally in her first dramatic feature film, Almost Paris. Delving into the current economic crisis in this country and the stock market disaster, reflected in the class tensions and divisions within one suburban family. And a title incidentally taking on new meaning with the current Paris uprisings. Perhaps best known for her turn when just a teenager in father Martin Scorsese's scary thriller, Cape Fear in 1991, Domenica phones in to Arts Express from the Tribeca Film Festival where her movie premiered. And discussing her venture into filmmaking as dodging those stereotypical typecasting traps for actresses, of 'the mother, the whore and the crone.' Also, what Domenica and Martin Scorsese's Taxi Driver happen to have in common; and a secret she has to share about her father.


**Alessandro Rossellini Talks Viva Ingrid: The grandson of the late iconic director Roberto Rosselini is on the line from Rome to talk about the legacy of his eminent grandfather, and how he reinvented the existing landscape of cinema in the last century as the founder of the socio-economically fueled Neo-Realism - also known as the Golden Age of Italian Cinema. And Alessandro, like Domenica, has embarked on his first film - a tribute to his grandfather's muse and spouse Ingrid Bergman, in his short documentary Viva Ingrid. Premiering at the current Open Roads: New Italian Cinema series at Lincoln Center, the cinematic collage explores what Ingrid Bergman meant to both his family personally, and to the world. Including Rossellini's vividly raw innovative filmmaking that led Bergman to depart Hollywood stardom, and her subsequent public persecution in the US for her relationship with Rossellini while both were still married to others - a denunciation and blacklisting reaching into the highest levels of the US government back then. Our conversation touches as well on Karl Marx, McCarthyism, and how Roberto Rossellini's venture into filmmaking first surprisingly flourished under Mussolini.

**Hello, My Name Is Doris 

In no way Norma Rae and even less Mary Todd Lincoln regarding those characters she played, Sally Field nevertheless is not into complying with whatever stereotypical scraps  - the narrow spectrum of witches or grannies - are allotted to older actresses in movies. Embracing her role with geriatric gusto in Michael Showalter's Hello, My Name Is Doris. Field displays elder empowerment with eccentric charm and bold sexual desire - however freaky or fantastical.

Field as Doris is a cheerful but resentful Staten Island hoarding spinster and office clerk who as the sole female child in her family, got stuck with taking care of her widowed mother until she passed away in Doris' old age. And, while her brother as the conventionally privileged male, got to take off to get an education and raise a family. But when her mother dies, Doris is hit with the realization of how life has passed her by.

That is, until she rediscover long dormant erotic desires when John (Max Greenfield), a friendly young art director is hired by the office. Mistaking his attention for affection, Doris in frantic makeover mode and daffy day-glo duds, ends up going to great lengths to make a fool of herself. But so not what it seems, her inner sassy senior is rejuvenating as hell, illusion and whatnot.

Field oozes a giddy and kooky self-confidence throughout, though at times veering toward self-parody when a little less might have been a lot more. But her take it or leave it journey into Doris' world, is best consumed discarding any preconceived notions at the door.

Prairie Miller

**The Phenom

In odd ways a sports movie about baseball for eggheads and equally baseball for dummies, The Phenom seems to have as much on its mind literally as what's going down on the playing field. Which may somehow go a long way towards engaging both audiences, as to what turns them on about movies.

The Phenom also touches on a troubling topic trending lately on the big screen, namely younger generations in deep economic crisis today - and an older generation not enthused about guiding the way. The same might be said of a film opening at the same time - The Neon Demon. But tackling those disturbing realities from a female perspective instead.

The Phenom is steeped in the existential funk of an emotionally despairing small town youth Hopper (Johnny Simmons) who discovers - much to his perplexed ambivalence - a rare talent as a top baseball pitcher - which gets him fast tracked by coaches into the major leagues. But a lack of self-confidence compounded by a dysfunctional family counting a kind of ruthless stage parent type of ex-con father (Ethan Hawke), sends him back into the minor leagues and time out for sports therapy from a philosophical shrink (Paul Giamatti) as the prescribed cure.

Written and directed by Noah Buschel, The Phenom  - despite a final narrative inning that feels abrupt and incomplete - has an ample supply of intellectual reflections on hand to ponder for competitive sports couch potatoes like myself. Including references to F. Scott Fitzgerald, Marx and Paul Robeson along the way. And though the film may feel as incongruous as other side of the tracks Hopper's odd couple relationship with upscale brainy coed Dorothy (Sophie Kennedy Clark) to those anticipating an all action no introspective gab movie - the rewards for this dramatic excursion with much more to share than simply baseball, can deliver quality spectator satisfaction.

Prairie Miller

Arts Express: Airing on WBAI Radio in NY and the Pacifica National Radio Network and Affiliate Stations.

Wednesday, May 25, 2016

Arts Express: Ken Loach Anti-Capitalist Top Prize Triumph At Cannes; Paul Winter, Pete Seeger


**A Conversation With Paul Winter. The eminent musician discusses Pete-Pak, an original compilation he put together to honor the late iconic legend and friend, Pete Seeger. A collectors edition treasure trove of activist songs and performances incorporating Beethoven, Martin Luther King, coal mining country wordsmith Don West, and Brazilian musical collaboration. Winter also delves into the energy and joy inspiring his own music, and his upcoming Summer Solstice event at NY's massive St John's Cathedral in June. Musical interludes will air throughout this segment.


**Broe On The World Film Beat: Highlighting the anti-capitalist Ken Loach drama 'I, Daniel Blake' taking top prize at Cannes. Arts Express Paris correspondent Dennis Broe on location at Cannes with a full report. Including Sonia Braga battling greedy land developers in Aquarius, and the modeling industry horror film Neon Dreams.  In which the literally cutthroat fashion world is plagued by undead models even further divorced from their bodies, when not clad in gold attire signifying their transformation into commodities.

Also, excerpts from the Ken Loach Cannes press conference. And, Loach remarking how strange to receive the award in such glamorous surroundings, considering the conditions endured by those people who inspired the film.  "We must say that another world is possible and necessary."  

Arts Express: Airing on WBAI Radio in NY and the Pacifica National Radio Network and Affiliate Stations.