Tuesday, December 23, 2014
Foxcatcher: Chilling Capitalist Noir Connecting Multi-Millionaire Murder At Home To Crimes Against Humanity Abroad
Though the United States has the largest prison population in the world at way over two million inmates, you'd be hard pressed to find any rich people among the predominantly inmate of color incarcerated population there. And the same goes for American movies. Where worker oppression and impoverishment is on the rise on screen as well, thanks to the economy sinking to new lows. But just who is responsible among the robber barons in this country, are pretty much nowhere to be found, let alone accused or indicted.
But one Hollywood movie daring to put a name and face on capitalist crimes against humanity, however ambiguous, is Bennett Miller's Foxcatcher. A biopic touching metaphorically on the toxic, destructive and expoitative relationship of one military industrial complex billionaire and sports enthusiast, John Dupont, played by Steve Carell, to Olympic wrestling athletes in his employ back in the 1990s, most prominently brothers Mark and Dave Schultz - Channing Tatum and Mark Ruffalo respectively - and leading up to his cold blooded murder of one of them.
And while Foxcatcher in that sense could be considered the most powerful horror movie this past year though it technically is not, the chilling capitalist noir has also been in theaters for over a month. Something nearly unheard of, with those quick bundles of cash, take the money and run Hollywood opening weekend, event over art extravaganzas. And likely indicating how hungry audiences are for those well concealed financial controllers in charge who really rule America, and the film's connection of multi-millionare murder at home, to military industrial complex crimes against humanity abroad.
And though the Dupont economic crimes enriched by US military munitions profiteering to the tune of fifty billion dollars and encroaching in over seventy countries around the planet are only subtextually viewed in John Dupont's tyrannical obsession with his weaponry negotiated with Pentagon visitors to his palatial grounds. Those revelations are sufficient to infuse this psychological thriller with enormous disgust and dread.
And while the actual crime that is the centerpiece of this story, the homicide that landed Dupont in prison where he died in 2010, remains both on and offscreen without a clear motive, a prosecutor involved in the actual case at the time, Dennis McAndrews, had his own theory. Which would fit in just as clearly, with the capitalist mentality in general. Even as another Hollywood movie making the rounds, The Interview, a presidential assassination comedy targeting DPRK ruler Kim Jong-un, was apparently forged in league with the US State Department as a propaganda tool to bring that government down - and heralding a brand new role for the advancing Military Hollywood Complex - international corporate terrorism. Or in other words, as McAndrews so decisively put it during the Dupont trial:
“He was very controlling. A very entitled guy. He believed he was above the law. In fact, he said, ‘I could kill a man and get away with it.’ Sound familiar?
And it's worth noting that in the face of the currently alarming, bleak future younger generations face today under capitalism as symbolically conveyed in Foxcatcher and its exploited and abused athlete gladiators, that the film ends with quite a different cover of this Dylan song, more eulogy than rage for a despairing time, courtesy of the band, A Whisper In The Noise.